What To Write In A Generic Wedding Thank You

OSKI OSKI

texts taken from a note published in the journal Crisis No. 53, 80's:

"I started laburar in a bookstore. Drew blades school . We painted such as "The Battle of San Lorenzo", "Hygiene", "Savings", "Oxygen." Later I went to draw borders and labels for Blank Anthony home. Hence comes the love for me watermarks and the craze for the frames, and the presentation "didactic" in songs like "The Pool" or "Karate" is due to my time blades school. "

" The Billiards "Vera
sports history. Editions of Valparaiso University. 1973.

" You're always making something types. For example if I had not been when I started Lino Palacio, may now be doing something else. I think one of the greatest artists here there was Divito. It is true that I was a bit tied to the traditional formalities, but when he broke with the "style Quinterno," and found their own language was the great interpreter of Buenos Aires. "
" My inclination for painting began then. I had received from Professor of Fine Arts and studied with Centurion, who had been teaching at the school. I also studied with Petorutti. It seems that was in need of some mangoes and taught in a house in Ponds and Callao. I remember that we did make efforts rare. We did draw as saying they did in the Renaissance: a long stick you and you tied a cinder, with this tool, you had to copy a still life. It was difficult, but it seems that the picture comes out cooler. Sort of like drawing with the left. I think Leonardo said that "the right is too wise."

"Shortly before the magazine appeared in 1942 Cascabel. There I had my first contact with the cartoons of Steinberg. Single line, without detail. See that was great, can hardly forget. I realized that what makes a joke, for fun, could be published. Overcoming my shyness I took my work to Cascabel. There were some jokes that now would fear anyone, but it seems they liked it the first of April 1942, I published one. "

page magazine Cascabel No. 208, November 1945.

" There I began to do "Caesar Brutus." Carlos Warnes what I wrote and illustrated. Along with Big INBENTA Warnes made this world, the Medicinal Butoski Illustrated (n. of a.: This is later) and probably a thousand other things that I can not remember. The truth is that I'm interested in painting, and jokes were a drudge. "

Caesar Book Covers Gross 1946 and 1955, respectively.

Home, page 3 and centerfold of the first of the 5 (?) notebooks "Medisinal Brutoski Illustrated, edited by C. Dupont & Co. in 1954.

" By looking at those today Warnes my work with me are of a hard ... so burdened. It was very primitive, like everything begins. After drawing more than I was, cleaning the drawing. But still, as yet, uncertain. Each little picture cost me a lot. The tracing, at least two or three times. "
Aside: Caloi Oski says taught him to" give ball to the spontaneity of the sketches (once I found tracing, in his study, I asked if they he was ashamed, and showed me what identical: one of his own sketches) "
text of" The discover of America, which includes tributes from Fontanarrosa, Caloi, Sabat, Sendra and Rep.

Caloi strip of the day following the death of Oski.

"A whole long day and went to Peru. Do not know why I chose it. In '43 it was installed in Cuzco. I studied Archaeology and Folklore at the University. I kept sending my cartoons to Buenos Aires. There was things having to do with surrealism. The Cuzco had no idea it was. Peru at the time was another world. I took hundreds of photographs which he later sold in Vienna. In addition to photographs, I drew this reality. From that time , 1944, "La banda music." These drawings, I explained in a cinema. Did a priest friend with a group of kids at school and the kids were busy everything. Believed they could carry, they were a gift, that I ... "

Home and three pages of Indian history Vera" editing Manufacturing 1968 by General Publishing Company, sa

"In Buenos Aires appeared Rico Tipo. For this magazine, more than I remember from the humor that were published in Argentina-I "Amarroto." Was based on an uncle of mine who was commissioner. Type Rico used nationalism, something Buenos Aires. It was fucked in the sense that shit Laughing provinces, neighboring countries "

Rico Amarroto in Type Number 213, page 1948 and jokes from the same period.

"Working on the most important magazines in the country gave me the opportunity to give me some tastes. Traveled the country, made presentations."

magazine Rico Tipo Note in 1947.

"In '46 I went to Chile. Since then I went and came constantly, until shortly before the fall of Allende. I have a special affection for Chile. I worked for the government of Allende. I illustrated a series of booklets with the subject of sugar. "

Chile. Pobre Diablo Magazine No. 121. March 1948

"In 48 I went to Italy, I worked in many newspapers and magazines from the first time because my work is known. Now, in Italy there are some magazines that are barbaric. In one of those who collaborated , called Il Male, police seized several times immoral, but in reality are far from immorality. I would say they are rude. There does not appear the thing in disguise. The poop is poop and no way around it. There I go dead I have to adapt, look ... I worked a lot on advertising. I made the Zodiac, a "map of the wines of Italy," The medical charts of Salerno " the medical school that lasted until Napoleon. "(n. of a.: In Il Male shares the bill, for example, with the great addict Andrea Pazienza)

Home and some openings for Medical Tables Salerno, published by Lumen in 1985.
The drawings in this work were published in 1970 by the laboratory Serono, Rome.

"That does not mean you have made twine . I always lived a Spartan austerity. I can drink champagne from time to time, which I like. One does not need much to live ... well with my way of doing business is difficult to win well.
I can not make that set of relationships. It is difficult to go to art gallery, presentations, because one is told that something could happen there, you can leave some laburo. You have to be a courtesan, and incarnate with the minister. Cuesta humiliation be cool, a emputecimento. "

home Faust, published in 1963 by Eudeba.
Editorial Universitaria de Buenos Aires.

" To laburar need champagne. Champagne is expensive. I need money to buy champagne and have money I need laburar. But I need to drink champagne laburar ... then I can not laburar. "

" Humor is eternal jokes, silliness, do not last. The humor that appears in the press gives popularity to the designers and you get to feel important, known by everyone. The desire to make this work responds to a state in which we all go and has to do with ego, with fame. But it happens that treating current issues, humor becomes ephemeral, it ages, loses meaning, "

" What makes one is to survive the distress. Is the problem of loneliness. It is the anguish that has no one more than his own solitude. "

and back cover of Oski's notebooks, edited by the author.

Finally a quote from Perich, a large English-language magazine humorist quail: "Oski published in our country (Spain) for several years in a magazine somewhere between the comic and humor magazine called" DDT " . There were many letters asking why Oski not learn to draw. "

Best Moisturiser Rosacea

Hi girls!
I finally managed to remain with the organizer of the page (and model) and finish all pending work (and finish the shirt and such) and collect all the little things that had prepardas to expose.

started with the gloves:

Your Price (pair) is 3.50 €.

are also available in white.

soon also be available twice as long.

chain necklace:

Its price is 15 €

Available in 1 week after the order echo.

Cacabelos Bracelet:

Its price is 8 €

The thickness can vary and is also available in necklace. (Per-view).

Shirt:

Its price is 18 €

modifications can be made showing picture or drawing.

Available in 2 to 3 weeks after order (little person busy, ehehe).

Jester Hat:

The price is 7 €

can be ordered in different fabrics (and colors) and can add more "tails."

-Cap

kitten

S or price is 3.50 €

The ears are available in other colors.

Next more and better (I hope). ~ Bye-NIII

Muay Thai Gym Buisness Plan

WITHOUT AN ACHILLES HEEL me down

who died yesterday, Achilles Fabregat, Uruguay accordingly, was the number three in the journal Humor. Cascioli, Tomás Fabregat Sanz and Achilles, Fabre. It was the poet of the group, dark leg, pulled a diamond out there anywhere and full of fluff up. Thing to know to search. If you are going to be making silly rhymes, you must read to Achilles, not gaffes ever, a type prepared and funny. But I much I can not say that smoked a lot, ok, but better to let his nephew, journalist Eduardo Fabregat, talk about his uncle Achilles as fairly as I wanted to do.

Uncle Achilles

By Eduardo Fabregat

Since that infamous night, Eustace
tell the Offset.

I know thousands and thousands of people who considered a so little light between darkness: since 1978, since that first cap with Menotti de Hoz, stating that "World is whatever it takes", the humor was religion, code sharing, ceremony at the newsstand and secret wink in public transport where all very well cared for "darling read it" because, as warned the heads of its pages, it caused untold evils. But this intellectual pride, that pride semi-none of that wording could be very public in the era of the murderers in uniform, was accompanied by a private pride, family: one of the leading newspaper that milestone, that respite from the lead, Achilles was Fabregat. My uncle Achilles.

Born in the Eastern Republic of Uruguay on February 15, 1938, my uncle Achilles died yesterday morning.

is a strange, painful instance. One drink is awful, this writing the obituary of someone so close, that has so much to do and so, well, So one is writing in a journal. The pen of my uncle Achilles inspired me to sit in front of a typewriter, the Olivetti and I still may end up taking me to my own grave. The figure of Achilles, a journalist of the old school, reinvented forms at a time when nothing was reinvented but destroyed, crystallized this vocation, this need for tanning trade. And that person's registration had an extra satisfaction yesterday when the messages began to appear on Facebook and Twitter, words that are as present as if the humor had not stifled menemato almost twenty years. People delivering messages of appreciation, love, sadness and loss and happiness for all time to read with your signature below, by the boxes in tandem with Tabaré, for those mornings radio Fasting and Carlos Jorge Guinzburg Abrevaya .

This page is not because Achilles was my uncle. This page is he who died is one of the great figures of journalism River Plate, the traces left by indelible.

a few inches, incurable music lover, collector of vinyl that tended to the obsession with an intuitive control to the "message" through its advertising experience in Montevideo, with a tremendous capacity to absorb culture, but do not express that knowledge with disdain for the other Achilles fired from his desk in the street Piedras articles that extraordinary irony, play with the language of each text were an adventure, a pleasure always renewed. Meticulously kept books and predictions of alleged seers, oracles and soothsayers, to be a poisonous feast every January or February for reviewing the coven dupes of the previous year. Deschavaba on the trail of the pirates to Buenos Aires infected bolichones that pierced the stomach and the consumer's pocket. Contributed to the collection of the list that always aroused the insufferable new contributions from the readers. And his Olivetti out one of the most effective humor pieces, in which the situation was repeated with slight variations, but it was his language, staging, what became one of the most anticipated tickets of Humor: the Ballads of the tube, the saga of unsuspecting citizens and carefully groomed appearance verba, which ventured into the byways of the suburbs to end always in the hands of those niggers "of two meters similar height and circumference, filthy, with tufts of hair picking his loons like the wire, red eyes and a "BERP!" as laconic reply. Some years later came the version illustrated by Tabaré, but these thirty lines of pure text amounted to break out laughing.

Achilles Achilles Uncle had the dictionary as a bedside book and knew how to make full use of it. No canchera learned the words to, but because for him writing should be a measure of wealth for which they wrote and to read. With such lexical availability, settle for just a handful of terms was Berreta, lazy poor. The words were his treasure, he allowed an artistic juggling with language, an always smart to get into the issue it was. Amen to give material to that in Humor & Games or Crusades, shine as eminent crossword puzzles, provoking laughter again enigmatic definitions or delusional, or squeezing the brain with that Dificilongo with which, as in newspaper articles, required to reader. Reminding that mediocrity is the easiest but not the best thing, which, as so often-cited human intelligence has limits, but stupidity is not.

I live less but more, he once wrote.

From my first articles published, I heard the phrase "What you're Achilles?" Hundreds of times. And never was a nuisance, but the reminder and proud to have as a starter in journalism to an illustrious name, someone who did something indelible in an environment where there have been many things.

In this and in other newsrooms, that thing naturally led to the shortened form that peers often call me Fabre. I always thought it was a nickname given reasonable but because there is only one Fabre. But somehow, from now on every time you hear a "Fabre" Uncle Achilles is a little more alive. This interpretation is not necessary, clear: everything he did, the countless laughter of the tube, the Nothing is lost, the chief rhymes SexHumor Paja Brava, inventiveness and audacity that brought into play to be part of that staff that made him legendary stamina to dictatorship, his name enough to have a presence that can dilute or death.

Goodbye, Uncle Achilles. And thanks for everything.